Oil On Canvas, Real Flavor of Old Masters

All eduard hanslick 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
60390  
a romantic impression of wagner compoing his epic saga der ring des nibelungen, eduard hanslick
  		 a romantic impression of wagner compoing his epic saga der ring des nibelungen   mk270 a romantic impression of wagner compoing his epic saga der ring des nibelungen, a cycle of four operas completed in 1874
60392  
brunnhilde, eduard hanslick
  		 brunnhilde   mk270 brunnhilde, from arthur rackham s 1910 watercolour illustrations to the rhinegold and the valkyrie.
60389  
daughter of franz liszt, eduard hanslick
  		 daughter of franz liszt   mk270 a domestic vision of wagner at home wih his second wife cosima, daughter of franz liszt.
60391  
designed by thomas edwin mostyn, eduard hanslick
  		 designed by thomas edwin mostyn   mk270 a 1914 stage set for in parsifal, designed by thomas edwin mostyn
60388  
senta leaps toher death an art nouveau illustration of the final scene of the flying futchman, eduard hanslick
  		 senta leaps toher death an art nouveau illustration of the final scene of the flying futchman   mk270 senta leaps toher death an art nouveau illustration of the final scene of the flying futchman.
eduard hanslick
German music critic, aesthetician and pioneer of musical appreciation. He studied music with Tom??šek and read law at Prague University, writing his earliest essays for the Prague journal Ost und West and for the Wiener Musikzeitung, the Sonntagsblätter and the Wiener Zeitung. From 1849 to 1861 he was a civil servant, chiefly for the ministry of culture, meanwhile writing for the Presse, publishing his important book Vom Musikalisch-Schönen (1854) and lecturing on music appreciation at Vienna University, becoming full professor in 1870. He was also active as a musical emissary and helped promote the standardization of musical pitch. Among his long-standing friends were Brahms and the philosopher Robert Zimmermann. Though his aesthetic enshrined the classical ideals of orderliness and formal perfection, his interests were limited to the music of his own time.



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